例句與造句

1. His biographer Peter Bondanella notes that problems with communication during their marriage may have inspired his films'central themes of " solitude, grace and spirituality in a world without moral values ."
2. Peter Bondanella, for example, argues that " any critic of " La dolce vita " not mesmerized by the magic number seven will find it almost impossible to organize the numerous sequences on a strictly numerological basis ."
3. In his commentary Peter Bondanella, author of " The Cinema of Federico Fellini, " says that after seeing Fellini's classic, Walt Disney wanted to make a comic book and film based on Gelsomina, played by Giulietta Masina.
4. Italian filmmaker Federico Fellini read " Little Nemo " in the children's magazine " Il corriere dei piccoli ", and the strip was a " powerful influence " on the filmmaker, according to Fellini biographer Peter Bondanella.
5. The " diverse sequences, " writes Fellini scholar Peter Bondanella, " are held together only by the fact that they all ultimately originate from the director s fertile imagination . " The film s opening scene anticipates " Amarcord " while its most surreal sequence involves an ecclesiastical fashion show in which nuns and priests roller skate past shipwrecks of cobwebbed skeletons.
6. It's difficult to find peter bondanella in a sentence. 用peter bondanella造句挺難的
7. "There should be a separate term for films that are nonfiction but clearly not intended to be objective documentaries ", argued Wade Major of " Boxoffice Magazine " . " For without such a category, it's impossible to do proper justice to " Fellini : I'm a Born Liar ", probably the best such film ever made . " " Few viewers of this fascinating documentary will remain untouched ", wrote prominent Fellini expert Peter Bondanella in " Cineaste Magazine " .  There is no question that Pettigrew's film on Fellini represents the most detailed and lengthy conversation with him ever recorded ."
8. According to author and professor Pellegrino D'Acierno, " guido " is a derogatory term for stereotypical working class or lower class Italian American males, " a pejorative term applied to lower-class, macho, gold-amulet-wearing, self-displaying neighborhood boys [ . . . ] [ with a ] penchant for cruising in hot cars [ . . . ] " Guidette " is their gum-chewing, big-haired, air-headed female counterpart . " In regards to the " guido " stereotype and the depiction of working class Italian American communities in American film, Peter Bondanella contends that : " Although some films view the working class as a potentially noble and dignified group, others see the working-class Italian American as a Guido or Guidette-part of a tasteless, uneducated, prejudiced group of characters with vulgar gold chains, big hair, and abrasive manners ."